A collaborative exhibition features works of young emerging, the representative artists selected from photographic related programmes of Thailand and international universities. The exhibition itself aims to reflect the diverse ways of seeing, trend of generation, characteristic and aesthetic in photograph- ic practice across the world.

These works of the talented young practitioner artists from Thai and international universities might be mindful to local audiences as well as new arising artist in Thailand. 


Managed by : Gun Ketwech

Chiang Mai University, Chiang Mai

Participant Universities

Rangsit University, Bangkok

Thammasart University, Bangkok
King Mongkut’s Institute of Technology

Ladkrabang, Bangkok
Bangkok University, Bangkok

Chulalongkorn University, Bangkok

Pohchang Academy Of Arts

Parsons School of Design, New York, USA

Umea University, Sweden
Tokyo Polytechnic University, Japan

Temasek Polytechnic, Singapore

Hong Kong University, China
Kyungil University, South Korea
Chung-Ang University, South Korea

Academy of Fine Arts, Munich, Germany

Hong Kong Baptist University, Hong Kong

Bandung Institute of Technology, Indonesia

Manaratha Christian University, Indonesia

Nanyang Academy of Fine Arts, Singapore

Ataneo de Manila University, Philippine


Ahmad Faruq bin Rozali

Temasek Polytechnic, Singapore 

TYOM (The Yeard of The Monkey) 


Singapore is a multi-racial country and during every festive season, neighbours and shops put up their decorations to celebrate these joyous occasions. In this project, I have photographed decorations prepared for Chinese New Year 2016 by the peo- ple in our neighbourhood. From the ‘over the top’ decorations to the simple ones. 

AHN Jeongjin

Chung-Ang University, South Korea



Upon encountering any photograph, I find myself synchro- nizing my gaze with that of the photographer to share the very fleeting moment captured. It is an experience analo- gous to watching a film shot from the first-person perspec- tive, where the eye of the camera steers me into another world. It feels like I join the photographer in retreating into the world rendered in the photographic image.Yet, it is a one-way flow. My gaze stops at the photo transiently and runs out into another world before it flies off, which seems inevitable for a single 2D medium that simulates the reality too precisely.

I would like to keep the gaze from flying off. To that end, I have placed two photographs here face to face. One represents what my eyes see, whilst the other gazes upon what my eyes cannot reach.The two-way gazes alternately cross each other so that the place and I can look at each other at the same time. For shooting, one flat photograph is set to stand opposite to the other spherical panorama.

This is my second work concerning human visual percep- tion with an obviously loose spatial setting. The places as the subjects in the images become personal, social or n a tural boundary points.The shooting place allows two gazes cross. Such a spatial setting in this work mirrors a border touching two aspects, viz. a mechanical experi- ment ruthlessly treating images and my precarious sen- timent of psychologically being comforted by images. In addition, I have chosen to stand on the borderline lest I answer the questions raised by myself regarding specu- lative needs for photographic art or some unaccountable s e ntimentalism. Still, I believe photographic images should present a sensation of the world in the most familiar form to extend the gaze to a third image itself in addition to the two physical gazes. 

Amnart Sodtichaiarporn

Pohchang Academy of Arts



Kharniyom is about something that people do and it’s popular in generation but if generation changes it will change for new generation 

Arada Kongkiatsin

Rangsit University, Bangkok


21 is the identity, my age and also my emotional feeling in that moment. I starts feeling of the experi- ence of being in girls school. It has always made me absorbed and diversion. Feel the emotional state of mine.

Ardil Yalinkilic

Umea Academy of Fine Arts, Sweden



Good/bad, honesty/falsehood, up/down, left/right, woman/man,... “Western metaphysics is based on system of binary operations, one concept is su- perior or privileged and the second one is inferior or underprivileged”, one is the “original” and the other is different or bad in comparison to the “original”,, but are the oppositions really oppo- sites?  

Auzi Brilliananda

Maranatha Christian University, Indonesia

Lais. Living On a Rope  


Lais is a traditional Sundanese art performance which is similar to trapeze acrobat and mystical ritual that origins from Garut regency. This project is document- ing the life of Lais performer and the tradition which almost extinct. The following artwork on the exhibition is part of many pictures taken on the site which in- tended to be arranged in a book. 

Ben Yap

Nanyang Academy of Fine Arts, Singapore

As the moon waned to crescent   


A quarry is commonly a large deep pit, a by-product of excavation and displacement of raw materials like stone, rock or gravel from the earth. The void that is left behind upon the land is analogous to the after- math of trauma (emotionally or physically) experi- enced by a living person. These “massive scars” are healed and eventually transform into lakes as they are filled with water over time. As the moon waned to crescent is a combination of two series of photo- graphs that explores the quarry site within a land- scape as a metaphorical vessel for the notion of trauma and the healing process that follows. 

Chawin Piriyagagul

Chulalongkorn University, Bangkok

Poem of the night    


Express cityscape of dark and silent city. seems like this place were abandoned for a while. The moment that had nobody, had no any sounds,left only the place were remained solitarily among this capital. 

Chiho Kojima

Tokyo Polytechnic University, Japan



Women are able to get pregnant and it is one of the happiest events they ever experience. However, in fact, the joy of childbirth adjoins the uneasi- ness of it.

My friend recently gave a birth to a baby. I was really happy to see the birth of new life though; she told me that she had a miscarriage before. The news struck me and I realized that there were many stories before the newborn came here. The joyous feeling had changed to something else I could not describe well. There was a life that sent into this world, but at the same time a life that did not come to this world existed. I understood the reality.

With the experience, as a female myself, I was eager to reflect the life. I started meeting with and taking photos of women who had experiences of conceiving. Their stories were filled with variety of experiences such as deliveries, miscarriages, and abortion.

I had faced to the new lives by listening the stories, feeling babies tiny heartbeats, and their cry and laugh through the shooting. Conceiving is a mixture of pleasure and anxiety and is not something obvious.

I am 23 years old and maybe I am not able to fully understand, yet. I assume the goal is to keep practicing.

I believe that this is just the start of my journey to my works. 

Chotitud Jainkiatfu

Rangsit University, Bangkok



Beneath the thin crust that could hide the gifted of violence ingrained since I was born.


Panutat Ketjareon

FOFA Chiang Mai University, Thailand

Thainess in Everyday Life 101      


In Thailand, high school students have to stand still and singing “Thai National Anthem” for 10 minute every morn- ing. The history textbooks contain with one side story and blurry truth. We live in the world that some memories were obscured. and a lot of thing that full of nationalism and it’s hide itself away in our everyday life. so I create this deformed situation story to represent that.

The government trying to grow patriotic feelings on the people and children through education. They want we to think , act , love what they said. But It’s reproduce a lot of mythologies of nationalism and It’s conceal our imagi- nation and creativity. because I belief that we don’t have to be the same , but we have to live with the difference of the other people in society. 

Yosita Lertthanaphok

FOFA Chiang Mai University, Thailand



In this project, i intend to present the stories which are not only from my experience but also my friends. Those inspired me to create photographs. I wish these photos could describe the aspect of “CHEAT”, especial- ly, cheating in Thailand as well as a habits. Public re- alise of those problems in a big scale and attempt to eliminate from society but they all forget about the beginning of worse result, where is it really come from? When? How? and because of whom? 

Piyarat Jeasukon

FOFA Chiang Mai University, Thailand

When they began to swim, they drowned.       


Schizophrenia is a mental disorder that is incurable, can only relieve the behavior. Some schizophrenia patients can not live like a normal persons. Although they desire to live a normal way. So I tried to create this work to present another way of life that is different from what we can see on a daily basis. 

Eka Yuliarti

Bandung Institute of Technology, Indonesia



The Project is about the interpretation on how reality is depicted through the daily activities of beggars and street singers looking through car windows during red traffic light, which is a common situation in Indonesia. The reflection of beggar’s expressions through Car Windows Glasses are very intriguing, their expressions developed layers of curiosities both from the people inside the cars and could also from the side of the beggars. These two activities both initiated the percep- tions and imaginations about the life and reality from both end, that soon fades away and be forgotten when the cars start moving away after the green lights. 

Elizabeth Erica Ratnasari

Bandung Institute of Technology, Indonesia/Bandung

Puppets of Consumerism     


The photography series “Puppets of Consumerism” expresses crit- icism towards the effect of trend that is pervading young people these days. In one second, young people are easily accepting the cultivated trend. Hence, they are losing their fundamentals and their true self. I express this by using women figure because women are usually the ones who are prone to be a target of consumerism. Furthermore, I take varieties of body size to show that they are losing their fundamentals. Reminding the truth that every individual, one to another, has differences, but they tend to have a willingness to be equated. 

Erwin Prasetyo

Maranatha Christian University, Indonesia

The Sacred Tenganan     


Tenganan Pegringsingan is a secluded traditional Bali- nese village which is rich in authentic Balinese culture. Tenganan is one of the tourist village is known for still adhere to and maintain the culture in order to pre- serve their cultural heritage. This project is showcasing rich culture and everyday life in Tenganan Village through ethnographic approach. 

Feng Yaqiu

Nanyang Academy of Fine Arts, Singapore



Now we living in an image world, every day there are huge amount photos were produced, it is unprecedentedly easy to get an image in this era. Along with the internet development, people have already entered the ‘image reading era‘, a photograph is more easily accepted than a few lines of text. But text also influ- ence us a lot in many ways, many of our impression was created by both text and photographs. Everyone has more or less of their own inherent knowledge. Sometimes, the inherent knowledge is just like the shadow in Plato’s cave. Through the satellite, we can see every country on the planet, each of us has our own impres- sion of some certain countries or regions, such as middle east is dangerous, Africa is dirty and chaos... But those impressions either from text or images is not truly reliable. In this series of photo- graph, I merged the satellite photographs of different regions in one image to create somewhere does not exist. I realize that the visual differences in many areas are not that great when I was manipulating them, I was controlled by my impression so much. 

HUNG Ching-Yan Fion

Hong Kong Baptist University, Hong Kong

To Be Used Someday     


Over the years, my mother developed a habit of hoarding and explained to me these objects were ‘once useful’ and hoped ‘to be used someday.’ As a daughter, I am always curious and confused, even puzzled. Until one day in 2016, my mother’s idea was realised by me – I rendered these objects to an invaluable work of art of her, of me, and between us.

In ‘To Be Used Someday,’ I stole one hundred objects from my mother’s collection and made the objects useful – by re-purpos- ing them into props in my photography. The work is a dialogue of my mother and I. During the creative process, I negotiate and interpret meanings of these objects, also the meanings of exis- tence, with her.

In the Chiang Mai Photo Festival 2017, I select 10 photographic images and a calendar to present this journey. 

Hyungjo Moon

Chung-Ang University, South Korea Bard College, New York

Unsolved Problem      


Assembling manual of the 1:35 scale plastic model car was in- teresting because the manual showed how each part could be consisted of elements and assembled by hands. Reading the assembly manual of the model and trying to make parts into a real object took a lot of time and needed a precise work to assemble the parts into one mass of them. Even though the instruction did not literally ask any creative thinking to make the model which already has parts, manual, and final image which was already taken by the manufacturer. The process of assem- bly was taking too much time and I totally gave up with making 1:35 scale plastic model. After spent a day, I finally fin- ished to make the model but the figure of the car was different from sample product image of the box.

Actually, looking at the photograph brought me similar feeling and outcome whenever I see the car model which I failed to assemble. 

Jason Uri Duniz

Bangkok University, Bangkok

Walls - Town     


There will be wall, whether we go but people overlook the beauty of it. 

Dea Ratna Komala

Nanyang Academy of Fine Arts, Singapore

Typology No.1     


A nation’s flag is symbolic of a nation’s pride. How these flags are used gives a glimpse into the life of a country’s citizens. As a foreigner and newcomer, I was interested in the way the flags of Singapore were being used. The constraints of living spaces resulted in a different way of hanging the flags. By exploring the flags, I ended up also exploring the lifestyles and living spaces of Singaporeans. 

Jun, Yeaseul

Kyungil University, South Korea



Useless scent, flowing hair, I let them silently into my heart. Keep me beautiful, keep me beautiful

‘You are still fine and good to read.’

It is too obvious that the sun is bright, people sing under the moonlight. Trying to find white pills after you had sunburned.
I wasn’t sad but I cried. I was in your arms.
I looked at the scar on the back of my hand, it was quite happy.

‘Why did the scar change a skin?’

With my hand pretty,
I was sad but I didn’t cry.
We let the thing we love the most away while living. And stay.

Keep beautiful for something during crumbling away in the space. In the end, leave everything behind. 

Kamolchanok Cutchamat

Thammasat University, Bangkok

Asian Floral      


Beauty, delicacy and dignity are Asian women’s definition, as beautiful paper flower that never wilt. 

Klara Waara

Umea Academy of Fine Arts, Sweden

Christmas Trees       


In the artistic work ”Christmas Trees”, hundreds of images are repeated hundreds of times. The outcome is an organic, yet geometrical pattern, with a shade somewhere between green, orange and beige. The pictures are constructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. An interest in stretching photography as medium becomes clear in how the shape and installation of the print has been used to express an idea. 

Krit Charoensawat

Bangkok University, Bangkok

Less talk       


If you dive deeply into the pictures , you will know all about it without anyone to tell you. 

Phanuphong Thepnin

King Mongkut’s Institute of Technology Ladkrabang, Bangkok

Neon Florae        


This project is telling about supposing of virtual beauties. In another word,The florae is vol- unteer of the naturalism. Putting the neon color on the florae is volunteer of humanism. So thiswork is the half-breed between the nature’s beauty and the beauty that made from human. It’s become to the virtual beauty. And this answer the question “What is the real beauty”. Beauty is mixed by the civilization of human and the thing that made by nature itself. This project is showed my emotion by the nature. 

Shinya Matsunaga

King Mongkut’s Institute of Technology Ladkrabang, Bangkok

Without Remind Me        


From the research of photography makes me have a question about the truth that all the photos are just still in 2 dimension, And it can’t break any rule of photography because we can’t see anything in just one dimension, So I try to analysis the form of subject by re-construct the subject. I use photo-editing pro- gram to re-construct the form inside the subject and combine the form of subject for create the new dimension but still in the same subject. 

Naoyuki Murata

Tokyo Polytechnic University, Japan

New Fossil         


In today’s world, a camera is almost considered as a part of mobiles, and people around the world use them daily. The meaning of pho- tographs in the environment must be lighter than the photographs that had taken by original cameras.

I assume the emphasis of photography has changed from the tool to see after taking to the action of taking. For example, on Insta- gram, people change the original photos by using filters or other app (I call the action the second shooting), and then upload it (the third shooting.) I think this action shows the connection between photography and fossil. In a word, the photography prolongs the life of subjects by taking into the photo such as a plant remains as a fossil even after its death.

The word, “a fossil,” corresponds to the relationship between the reality/fossil of the era from the past that is defiantly not able to see to the present time and the data that is not also able to see but changes to the seeable image on the display.

The photography is the media that could show the time differenc- es between the time of taking and showing, but now, most of us carry cameras every day and the time lag between taking and showing are declining. In the environment, I doubt that the photo- graph should be the media that accepts the conflict between the reality and the data that would be able to see only through devic- es.

From this point of view, I created works to focus on the possibility and relationships between people/ the reality and the data/ not- able-to-see such as people who react to the data that are only workable through devices.

For example, I printed an image using an inkjet printer on a paper that did not absorb inks and fixed with acrylic medium. By the method, I visualized the differences between the printer that prints the image of unseen-on- the-display data and the data itself. This series is my challenge to find the way to see the unseen re- ality surrounding us, and my eagerness to take photos of things that are impossible to communicate in reality. 

Yuriko Takizawa

Tokyo Polytechnic University, Japan

Cinderella Machine          


The Print Club (The printing seal machine) development in 1995 has greatly changed the state of photography in Japan.The printing seal machine, the so-called PURIKURA, makes taking photographs easier and more familiar than taking action self.It turned into a fun image change. Originally it was a memorial photograph, now it’s time to share on SNS. Also automatic correction is not only beautiful skin and beautiful hair, also bick eyes and leg lengths, etc. become quite familiar things.It is 21 years since the development of this year, the same age as me. I was interested in the girls and the plicula now.

Few years ago Tweet that a foreign male figured that a group photo of a mass production female college student in Japan is “Shimeji Mushroom” on Twitter became a hot topic. Mass produc- tion type female college students are the same hairstyle and same makeup that match the trend.

It says about a female university female college student who is grouping in fashion. As I go to the ideal of wanting to be like this, my personality is lost, and after having undergone a process of equalization in digital it will be the same appearance. In Japan, uniforms in schools and job hunting activities tend to prefer the same as everyone else. This is pretty fashionable Is not it one reason to do? Unlike self-portraits, unlike self-shooting, you can get a passively-fledged image because you are leaving all the process- es in the shoot at 400 yen.

The custom of uploading photos with friends to SNS is also abroad, but in Japan there is a little different way.The most important thing is to take a picture better, that is, to make it full. Everyone applies to the same “cute” template through automatic correction, but personality disappears.

Therefore, by causing an error on the PURIKURA side,We visualized “deviation”. The image that is projected is attractive. But it’s for programming Therefore, it is cute and it must be recognized that it is data to the last.

Portraits in Japanese art history are deformed in many cases accord- ing to their times and trends, and everyone is the same It is drawn with such a face. If a portrait represents that era or land pattern, it can be said that PURIKURA is a portrait photograph of a modern Japanese woman. As of now, the authenticity of the photograph is lost as well

However, there is no need to project the truth anymore. Because it is a photo The concept of the idea is established and it is OK if you can get the ideal image Body. Despite these Japanese desires for approval, transformation desire, collective psychological spirit, SNS and smart phones lacking, such a photographic culture must have never developed. It is humorous and eerie, but there is no individu- ality In a sense opposite to that of Japan it is Japan’s likelihood. PURIKURA will be a photographic machine that will continue to showcase Japanese female images and fashion. 

NG Hon-Hei Terry